Warren Lee
The prompts for my work are the collective challenges of our world today and, more importantly, our responses to them. My work is research-based, with attention to investigation, interpretation and data, as well as its making. I seek conceptual networks of symbols, themes and prior events to engage viewers and, hopefully, establish a context of interest and engagement.
I feel unease at the current escalation in global tensions, particularly as we are now at a time when the horrors of Hiroshima/Nagasaki in 1945 are distant and fading from living memory. This body of work, collectively entitled Half Life, started with AUKUS - because of this issue of fading memory and escalating risk. It utilises digital processes in its production, revealing an interface between imagery, systems and technology, through visual linkages of organizational grids, dot matrix text and flower bursts.

Warren Lee, Install View. Image Courtesy: University of Melbourne.

Warren Lee, Install View. Image Courtesy: University of Melbourne.

Warren Lee, Half Life, still from video (2 minutes)

Warren Lee, Half Life (Vasily Arkhipov portrait), oil on canvas, 2023, (190cm x 120cm)

Warren Lee, Half Life (Vasily Arkhipov portrait), detail, oil on canvas, 2023

Warren Lee, Half Life (1962), oil on canvas, 2023, (190cm x 120cm)

Warren Lee, Half Life (E=MCsquared), oil on canvas, 2023 (190cm x 120cm)

Warren Lee, Half Life (1946-2023), steel, canvas paper, chrome paint, clear acrylic sheet (60cm x 60cm x 75cm)
Faculty of Fine Arts and Music
University of Melbourne