Indi Jennings
I am drilling a hold into a log, and lining it with a cardboard straw--- for a bee that exists without a hive.
Some of the signs along the trail in the Brisbane ranges have nothing left but the echo of a text-box, I look at them for information and receive an intricate weatherbeaten map of lichen and bird shit.
Stony creek cuts through the sandstone peaks and travels down and underneath the railway. A vast, folded bed of rock once broke in two here, now levelled the plains continue to slowly sink.
When a freight train speeds past me on the embankment the gravel shifts under my boots and I grab onto the cardoon to steady myself, its thorns piercing a layer of glove and then through several layers of skin.
Pulling out these weeds is like wrestling with a snapping dog.
Sharp teeth wrap around your arm as you try to pull a splinter out of her paw, after gently soaking it in a mixture of dettol and rakija.
The boot of my car is now full of plants that wont ever reproduce.
Before turning the key in the ignition, I remove my gloves and lick my wounds.

Indi Jennings, SUNSHINE HARVESTER WORKS. Image Courtesy the University of Melbourne.

Indi Jennings, SUNSHINE HARVESTER WORKS. Image Courtesy the University of Melbourne.

Indi and Wil Jennings, audio field recording documentation at Tunnahan, 2023

Indi Jennings, Tending to basalt, beside the railway, beneath the silo. Steel, rubble, eryngium ovinum, water, plexiglass, 2023

Indi Jennings, Seeps into the groundwater, volcanic rocks, plexiglass, steel, dichanthium sericeum

Indi Jennings, Tending to basalt, beside the railway, beneath the silo, Leptorhynchos tenuifolius, pewter, dandelion root, rubble, steel, 2023

Indi Jennings, Tending to basalt, beside the railway, beneath the silo, Leptorhynchos tenuifolius, pewter, dandelion root, rubble, steel, 2023

Indi Jennings, Field work documentation documentation of the Sunshine orchid working bee, 2023, image courtesy of Matthew Kneller
Faculty of Fine Arts and Music
University of Melbourne