Grace Vescovi
My research into the history of Western feminine aesthetics has focused on the symbolic cultural significance imbued in the domestic craft of doilies.
I use the complex hand-crafted skill of crochet to perform this delicate artistry and to unravel and challenge stereotypical associations with domestic crafts and their low cultural status. Doilies serve as a tangible embodiment of the history of Western/settler women's cultural work and hold a significant place in the history of the Western/settler domestic sphere, representing the time, skill, and creativity of women relegated to the role of homemaker. I perform this as a ritual to foreground the devalued labour of anachronistic housewifery and facilitate reinvention and preservation.
I use the colour pink, as a recurring motif in my work, to question the Western social constructs applied to the feminine. As an attempt to subvert stereotypes - soft, vulnerable, infantile, and fantastical - I use pink to embrace the fluidity and complexity of femininity.

Grace Vescovi, Install View. Image Courtesy: University of Melbourne.

Grace Vescovi, Install View. Image Courtesy: University of Melbourne.

Grace Vescovi, Domestic Divinities, Cotton Yarn, screw eye hooks, 2023

Grace Vescovi, Domestic Divinities, cotton yarn, screw eye hooks, 2023

Grace Vescovi, As Long As It's Pink, pine honeycomb board, interior wall paint, nylon string, found objects, 2023

Grace Vescovi, As Long As It's Pink, pine honeycomb board, interior wall paint, nylon string, found objects, 2023

Grace Vescovi, Mother, acrylic on plywood, 2023

Grace Vescovi, mixed fibre yarn, sugar starch, candlestick, beads, 2023
Faculty of Fine Arts and Music
University of Melbourne