Camille Cargill
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camillecargill@gmail.comSaidiya Hartman writes in her article Venus in Two Acts, that working with trauma involves “a willingness to look into the open casket”. This begs the question “do the possibilities [of doing so] outweigh the dangers of looking..?” When working with trauma “how does one revisit the scene of subjection without replicating the grammar of violence?”
I am working with an trauma-informed approach to withholding in the practice of art that is motivated by care, and compassion, and a desire to make working with pain less painful. Using a background in printmaking and photography emboldened by spatial practice and lighting, I conjure emotional landscapes that embody the corporeal and cerebral traces of trauma that occur as after-image.
Honours